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Now Hear Ensemble‘s Made in California project, which commissioned works from 11 Californian composers for a tour and record, is nearing completion. The record came out yesterday, and they’re having a release concert, this Saturday, November 2, at REDCAT. Here’s a preview video:
The whole record is pretty rad. I went to see them in San Diego last weekend (full disclosure: I have a piece in the project), and while all the music they’ve commissioned and perform is impressive, and covers a pretty wide range of styles and ideas (Todd Lerew’s Variable Speed Machine, a drone-based piece custom-made monochords, provide a fantastic and beautiful contrast to the post-minimal groove of a few earlier tracks on the CD), they’ve managed to bring something of a masterpiece into the world with Dan VanHassel’s Ghost in the Machine. It comes across well on recording, but seeing its robot-controlled deconstruction of a drumset onstage, which is far more peaceful and introspective than it sounds, is the rare completely-new-experience-that-actually-sounds-great that we so often fall short of. This piece needs to be heard, seen, talked about, and learned from.
Full info on the record is at nowhearensemble.com/MadeInCaliforniaAlbum. Tickets for the show are at redcat.org/event/now-hear-ensemble. No streaming links just yet, but it’s available on iTunes and Amazon, among all the other standard places.
Dedicated readers may remember pianist, composer, teacher, and concert organizer Aron Kallay’s interview about his Beyond 12 project. If not…well, that was a link, and here’s a picture of him with a toy piano:
In any case, he’s released a CD of works by composers who have drastically retuned and reorganized the piano. And it rocks. It’s out now on Microfest records. Composers include Isaac Schankler, Kyle Gann, Tom Flaherty, Brian Shepard (with the standout All The Pretty Colour of The Rainbow) and others. It’s absolutely fascinating listening. Available via Mircofest Records’ store at microfestrecords.com/store, iTunes at itunes.apple.com/us/album/beyond-12/id707673261, and pretty much all the other big ones.
X-Ray Sunsets, the new record from LA’s operatic gypsy rock collective from the future Timur and the Dime Museum, is finally getting a CD release party this Saturday, September 21, at the Bootleg in Silverlake. Live Arts Exchange is hosting the show, and tickets are available at https://bootlegtheater.secure.force.com/ticket/#sections_a02A000000Al7nsIAB.
The record, which was largely written, arranged, recorded, edited, mixed, and produced by band member and local composer Daniel Corral, is up on bandcamp now. Timur’s voice is as impossibly flexible as ever, and there’s an enormous range of sounds in the arrangements. They’re featuring the final track, Until the Break of Dawn, on the bandcamp page, but my favorite by far is Here With Me. Enjoy:
Julia Holter is back in town tonight, and our hometown underground orchestra heroes wild Up! are opening. They’re playing at First Unitarian Church in a show presented by Spaceland and Dublab. Nedelle Torrisi, Anenon, and Dublab DJs are also on the bill.
All the info (and tickets) are up here: http://www.theecho.com/event/326705-church-sessions-julia-holter-los-angeles/
Julia’s most recent record, Loud City Song, came out on Domino less than a month ago, and she’s been on tour pretty much nonstop.
Here’s a video:
Though based in San Diego, bassist and composer Scott Worthington is no stranger to the LA scene. UPDATE: SCOTT HAS MOVED TO PASADENA.
This is yet another great weekend for shows in LA. People Inside Electronics are bringing bass-baritone Nicholas Isherwood to MorYork Gallery for a Saturday night program of music for voice and electronics.
Looking for a slightly earlier way to hear some music on September 7th? Classical Revolution LA have you covered. Elliott Goldkind and the Krysalis Ensemble will be rocking The Silverlake Lounge at 6.
IT IS POSSIBLE TO MAKE BOTH.
Here are links: